Hollow City

Song of Karma Book 1

Heroes Unleashed Book 2

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)
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Hollow City
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Six kills in six years.

Super powered cop Adam Song has dedicated his life to the law. In the military and the police force, Adam ruthlessly protects the innocent.

But this time he’s killed the wrong bad guy. Now the local drug lord’s son is dead, and the boss is out for Adam’s blood. Even his secret identity won’t keep him safe. The police department hangs him out to dry, his years of exemplary service forgotten. Adam must take justice into his own hands to keep his family safe.

Because Adam is a Song. And Songs take care of their own. No matter the cost.

When does justice become murder? And just how far will he go to protect his clan?

Dragon and Hugo Award nominated author Kai Wai Cheah steps onto the superhero scene with his debut Heroes Unleashed novel. His characteristic fast-paced action and attention to detail brings Adam Song and the Chinatown of Hollow City vividly to life.

What makes a straight-laced hero cop go rogue? Buy the book or read it in Kindle Unlimited today to find out!

Weight 1 lbs
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EBook, Paperback, Hardcover

Book Author

Kai Wai Cheah, Thomas Plutarch

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2 reviews for Hollow City

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  1. declanfinninc (verified owner)

    Hollow City has been discussed in terms of this version of the Punisher….

    This may end up as a Punisher origin story, but our hero is way, WAY too sane to be Frank Castle. The vibe as you read the novel is more Michael Connelly doing a noir superhero novel, with gun porn that outdoes Larry Correia. (No, I’m not exaggerating, and you did not misread that. Gun porn that would make Larry Correia blush).

    Imagine if Baen did a superhero novel and it was one part Connelly, one part Correia. You’ve got smart police tactics by a super-powered former soldier as part of a SWAT team, but you also have the problems of the politics of “Primes” (they’re not superheroes or mutants, they’re Primes). It becomes an interesting mix of politics, powers and police. When I reference Michael Connelly, most people should think of his hero, Harry Bosch (yes, now an Amazon Prime show). And the police department in Halo City is very much like the corrupt, politics-ridden (but I repeat myself) legal system of Bosch’s LA. It helps with the noir feel of the novel, as it constantly refers to Halo City as the Hollow City, dark, soulless and corrupt….

    You know, Chicago.

    (Okay, if you’re looking for a direct parallel, it’s probably if San Francisco were run by Chicago politicians, down to the demographics, and “Grand Park” instead of SF’s Grant Park.)

    Once again, it’s a superhero world that feels very real. Screw ups are not tolerated, leaving a realistic feel to the narration — such as referring to an egomaniac “hero” who was going to livestream an arrest… so the criminal set a trap and put three rounds in the sucker’s face. Stupidity is its own death penalty. The politics are realistic enough to make me want to strangle the politicians — even down to having a Black Lives Matter group that’s against Primes. And I love the line “Politics is never personal until it happens to you,” I may need to steal it.

    And the tactics are solid. The guns are detailed and make sense given the use of force required. The fact that Adam has three guns, as well as a taser, is one of the better carry policies I’ve seen of a hero in a novel for some time.

    The world building is solid. The tactics are great. The character is also well developed. Publicly, Adam Song seems to have the powers of Marvel’s Bullseye — he always hits what he aims for, with preternatural reaction time. That’s what everyone else thinks, too. But it goes beyond that, and he has a very simple, straightforward approach to handling everything — it’s handled by the book. I love the byplay between what the public thinks he can do, what he says he can do, and what he actually can do. It’s the usually conflict of the civilian mindset versus the mindset of people who actually get shot at with some regularity.

    And then there’s our hero’s family… I await someone to bitch about Kai Wai Cheah using “Asian stereotypes” as he writes his novel in his native Singapore. Heh.

    There are a bunch of cute bits as well. They’re not SWAT teams, but STAR teams (Resident Evil, anyone?). The investigator is Herbert Franks (cute Cheah. Very cute). Cheah also has bullet storm haiku… no, I’m NOT kidding.

    Short version: If Harry Bosch were an Asian superhero, and Michael Connelly had a sense of humor, this is the book you’d end up with — a Superhero Baen novel. If you enjoy anything put out by Baen, or Harry Bosch, Astro City, or Jon Bernthal’s portrayal of the Punisher in Daredevil, you’re probably going to enjoy this one.

    I wholeheartedly recommend this one. 5/5.

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  2. Benjamin I. Espen (verified owner)

    Hollow City is the second book in the Heroes Unleashed universe I have reviewed. I picked up this copy on my own, so you can’t blame the author for my opinions.

    My opinion is: I like this book. Adam Song is a fascinating character, and I’ll delve into why at some length. Adam’s interests and profession also make this book a kind of gun pr0n, which is fun for me since I am also interested in firearms. Finally, I am enjoying the Heroes Unleashed take on superheroes, which doesn’t make them mundane, but at least routine. Not everyone has super powers, but you better take the possibility into account when making any kind of serious plan.

    I doubt this review would pass a strict spoiler policy, but I’ll try to keep it under control. Consider yourself warned.

    Let’s get into why I find Adam so interesting. Adam Song is a cop. Not just any cop, but a member of the elite Special Tactics and Rescue team. He is a doorkicker, a life-taker, and a heart-breaker. Well, probably not the last, now that I think about it. In so far as Adam has killed an average of one person a year in the course of his duties with the Hollow City Police Department, he definitely qualifies as a life-taker. But he lacks the dark triad traits that make murderers and terrorists the recipients of gushing fan mail in prison. If anyone’s heart is going to be broken, it is probably Adam’s.

    Adam also has a secret. He is a Prime, the Heroes Unleashed version of a superhero. His powers are precisely what elevated him to the STAR unit. At the beginning of Hollow City, Adam has been a cop for six years, but a member of STAR for only eighteen months. Which just happens to coincide with the time since he gained his powers. This is because STAR, like Detroit SWAT, specializes in no-knock raids. But in Hollow City, unlike Detroit, the guy on the other side might have superpowers too, so HCPD makes sure to even the odds by having a Prime on the entry team. In that capacity, he goes by his codename Amp, and wears a mask when he is working.

    Many men in Adam’s position would probably be insufferably arrogant, but Adam strikes me as a quiet, unassuming type. In part, this is a matter of self-protection, since his public persona would be liable to reprisals if his enemies knew where he lived, but also I get the feeling Adam would have acted the same way in public if there were no danger. His primary motivation is not fame or money, but duty.

    His dutifulness is the prime hinge of his character, and the source of the two major conflicts Adam experiences in the book. In each case, he feels duty-bound to do two-incompatible things. In a sense, his life [and this book] is a quest to reconcile these moral imperatives.

    First, Adam is first-generation Chinese immigrant. His parents brought him to America when he was thirteen, by way of Singapore and Hong Kong. He was old enough to remember his previous life, but also young enough to imprint on his new home. His parents have definite ideas about what constitutes honest employment, and neither his previous job [Marine] nor his current job [Cop], meet that definition. In the straightforward expectation of his culture, duty would require him to follow his parent’s wishes, and work in the family business.

    Aaron and I were outsiders. Always had been, always were. In Singapore, primary schoolers made fun of our funny accents and weird speech patterns. In Halo City high schoolers did the same. Everywhere we went, the old rules no longer applied. We had to learn quickly, adapt even faster.

    Aaron kept his head down, submerged himself into the local Chinese community, and followed in Father’s footsteps. I almost did the same, until I saw my first USMC recruiting advertisement. In the Marines, I saw a way to become a man. I wanted to prove that I was an American, more American than everyone else.

    In America, duty primarily means service to the nation, rather than the family. So when Adam decides that he wants to be a good American, he does the thing that is expected of him as an American. He travels to distant lands, meets interesting people, and kills them.

    This decision flows into his second conflict, which is secondary to his character, but primary to the plot. After Adam gets out of the Marines, his duty to the nation fulfilled, he naturally flows down to the next lower level of loyalty, and joins the Halo City Police Department. In America, the basic motto of any police department is To Protect and to Serve. It just happens that Adam is really really good at protecting the public by shooting bad guys in the face.

    Which is exactly what he is hired to do once he becomes a Prime. Adam’s history with the HCPD prior to the STAR unit is a bit less explored in the book, but we do know that Adam was the trigger puller in more than one OIS [officer involved shooting] before he joined the high risk STAR unit. It is possible that this was overlooked in the overwhelming need to put an already employed Prime officer into the high risk STAR unit, but I suspect it is more likely that this was seen as a feature and not a bug.

    At least until he became a political liability by killing an admittedly dangerous man [a Prime with the ability to shoot anything he pointed at] who was also the son of a gangster in the process of crossing the line between crime lord and pillar of the community. When Adam was in the Marines, this was his job, full stop. You killed anyone who was dangerous, and you did so in a way that maximized your odds of coming home at the end of the day. This is uncomplicated when you can identify your targets as enemy combatants, and potentially explosive then they are American citizens who are innocent until proven guilty.

    In this way, Adam serves as the personification of the militarization of the police in the United States. The actual military is famously forbidden from engaging in police activities by the Posse Comitatus Act, but there is a creeping influence which can probably be measured by looking the kind of uniforms police officers wear, as can be seen by the image above of a no-knock raid training exercise. The fear is that the distinction between accused or suspected criminals and open enemies of the state is being erased.

    There is also a positive sense, insofar as the militarization of the police has coincided with a professionalization of the police. Cops used to do pretty much any damn thing they felt like. Now, there is at least a standard to which they are expected to adhere. At the best, this means less chance of death for both the cop and the perp, insofar as options are sought that seek to maximize that outcome.

    Adam Song occupies the ground precisely where that question comes into play. A question that is interesting to me is where does the line lie for police work as opposed to war? When is it acceptable to kill a man who might be a danger to public order? Or who is definitely dangerous, but not currently in the act of shooting his victims? For a soldier, that question is relatively simple. You act with maximum force at the first opportunity. For a police officer, the answer is always NO, you cannot kill except when your life or the life of another is directly at risk, or at least that is the moral and legal presumption in our society. What makes this hard is that a lot of former soldiers eventually find themselves in service as cops. Men just like Adam Song.

    For Adam Song, what makes a strait-laced cop go rogue is the feeling of betrayal when your superiors throw you to the wolves for doing precisely what they hired you to do. Adam’s job, as Amp, the HCPD Prime, is to serve the warrants on dangerous Primes that would otherwise simply kill all of the arresting officers and then disappear.

    This gets even more complicated when your job is to arrest the bad guys that are widely known to be bad, but who of course enjoy the presumption of innocence and the right to a fair trial. When you mix in Halo City’s high-diversity, low-trust environment, along with a dash of corruption, you get a lot of guys like Adam, who start to feel that the military way has its attractions. Adam clearly loves his city, but he also feels like there are good guys, and bad guys, and he isn’t particularly interested in watching the bad guys take advantage of a system that was designed for a high-trust environment.

    Since I happened to read Hollow City at about the same time I read Timothy Zahn’s Dragonback series, I was struck by the differing trajectories the main characters in these books take. Jack Morgan starts as an outlaw, and over the course of the series eventually is reconciled to polite society. Adam Song starts out as a respected member of the community, and ends up becoming exactly what his detractors call him: a rogue cop, a vigilante, and a criminal defendant.

    However, in many respects, what each of them do isn’t actually that different. Jack mostly tries to avoid killing, but his symbiont Draycos, the K’da warrior-poet who possesses the rights of judge, jury, and executioner in one person, kills a man in the first book because Draycos seems him commit a murder. This can only loosely be called defense of another, since the man was threatening Jack, but the book makes it clear that Draycos is like a monster of legend, as much greater in combat power than a human as a powerful Prime like Amp is. Also, Jack’s AI guardian, Uncle Virge, does lots of killing, it is just the kind where he shoots down other ships to protect Jack.

    Once I realized that, my whole opinion of the weight of the Dragonback series started to shift. There are some real similarities, but also some real differences with Adam Song’s Halo City. Jack Morgan’s universe is a lot further down the path of societal dissolution that Halo City is only starting to tread. Is Adam’s vigilantism worth it if it prevents open slavery and corporations hiring mercenaries to fight literal turf battles over their commercial interests?

    Even if we temporarily ignore the question of how probable the odds of success are for Adam’s attempt to stave off further dissolution, this is a worthy question. In the moral and legal framework of the United States, which is clearly the setting of Halo City, which I take to be an analogue of Los Angeles, Adam is pretty clearly beyond the pale. However, the reason I bring in Zahn’s more speculative universe here is that other arrangements that still seem just are imaginable.

    Adam is pretty clearly doing what he finds to be his duty, in the circumstances he finds himself. We might judge that he has nonetheless crossed a line that should not be crossed, even if the results are otherwise just. That tension is exactly what makes this book fascinating. I don’t know what Cheah has in mind for Adam after this, but I would like to find out.

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